MySpace is preparing to add Facebook Connect features to its main service, we’ve confirmed from a source within MySpace. This will be the first time MySpace will publicly conceded defeat to Facebook over ownership of the social graph, and it’s more than a touchy subject internally.

So touchy, in fact, that my source tells me that by simply breaking the news early the whole rollout might be ditched or delayed. A key part of the launch is apparently a serious amount of message massaging by MySpace PR on what this means for MySpace.

Earlier this year the MySpace UK team added Facebook Connect features to a fan video without, apparently, the knowledge of upper management at MySpace. MySpace also quietly (silently actually) rolled out sharing on Facebook for MySpace videos recently. This new Facebook Connect rollout is being done very quietly as well, we’ve heard. Some very senior MySpace execs seem to have no idea it’s happening.

So what does all this mean? In the next week or two we’ll see at least a limited rollout of Facebook Connect on MySpace. Or, we won’t. Ah, the joys of having co-presidents to take your company to the next level.

The rumor circulating around Silicon Valley yesterday: Walt Mosspuppet, the foul-mouthed and funny puppet version of the Wall Street Journal’s Walt Mossberg, is actually the brainchild of Newsweek’s Dan Lyons, AKA Fake Steve Jobs. Lyons, says the rumor, actually writes the scripts for all of the videos, and Brian Hogg acts them out with the puppet.

The fact that Lyons promotes many of the Mosspuppet videos on Fake Steve certainly suggests a strong connection.

The truth, at least according to Dan Lyons (I think I was talking to Dan, but it may have been Fake Steve. I’m never sure with him): Not true. Lyons says he helped Hogg with some of the early scripts and has advised him to shorten the videos, but other than that he’s just a fan.

“Would you lie to me, Dan?”

“Never, Mike. Never.” He added “If I was writing the scripts to Mosspuppet, they’d be a lot funnier.”

So there you have it.

Last Thursday saw the third edition of Plugg, a conference I started in my home country Belgium back in 2008 that essentially aims to launch and inspire European tech entrepreneurs and advance the startup ecosystem in these parts. The event is closely tied to TechCrunch, with myself as lead organizer and TechCrunch Europe editor Mike Butcher running things on stage.

We invited a host of speakers from all corners of Europe to deliver inspiring keynotes about a wide range of topics, and as every year had 20 (well actually, 19) startups vying for the top prize in an exhilarating pitching competition. All these startups were carefully selected and are some of Europe’s most promising early-stage ventures, so I invite you to take a look at the full list of finalists in our previous post.

In the end, Estonia’s Fits.me won the main award of the show, with RazWar snatching the audience choice prize and Distimo and Inbox2 as runners-up.

If you didn’t attend the event but are interested in finding out what went on on stage, we’ve got you covered: the whole thing was captured on video and in pictures, and we also embedded a handy Nomadesk widget on the Plugg website where you can access a virtual folder carrying all the presentations.

Here’s a selection of videos I think will interest TechCrunch readers most (but please check out all of them):

We’re big fans of Animoto, a website that lets you easily create photo and video slideshows matched to music. The site is constantly innovating its nifty product, most recently adding an iPhone app and the ability to incorporate video. For those not familiar with Animoto, the startup basically allows you to take your images, video and your music and mash them together to create cool videos. What makes the videos cool is the company’s technology that renders the pictures so they’re in-step with the music you’ve chosen, adding nice transition effects. This morning, Animoto is opening up its API, allowing partners to now incorporate Animoto’s compelling technologies into independent sites

The first API that being rolled out for the Animoto Partner Platform is Animoto Quickstart.  The API essentially allows any website to tap into Animoto’s video creation flow.  The aim is to make Animoto one click away from any website that has photos, videos or music.  Quickstart allows websites to connect their own content, including photos, video clips and music to Animoto as the first step in creating an Animoto video. So partners can integrate Animoto’s video slideshow creation tool into their sites. And the startup promises that Quickstart takes only hours to a partner to set up on a site.

For example, SmugMug, a photo sharing site that caters to professional photographers, uses Quickstart so users can ‘pass’ their photo albums into Animoto’s video creation flow. So the user now has the option of making a slideshow from their hosted photos and simply needs to pick a song to complete their Animoto video. Once a user clicks to make the slideshow, he or she will be taken to Animoto’s site, where their video and photos will automatically be placed into Animoto’s site.

Another use case is a promotion Animoto is launching with iconic musician John Bon Jovi where fans of Bon Jovi can go to Bonjovi’s site to create an Animoto music video with Bon Jovi’s latest single and footage from his music video.  Pepsi also used the Quickstart API to help users create video slideshows in a contest involving its ShareTheJoy campaign.

With the launch of this API at SXSW, Animoto is partnering with music publication SPIN magazine to allow fans to promote their favorite South by Southwest bands for a chance to win prizes.
From now until March 31, 2010, fans can create and submit Animoto videos featuring songs from top South by Southwest bands for a chance to win $1000 and a spot on Spin.com, and other prizes.
 
Currently Animoto has 1.4 million users and makes money off of its paid subscriptions. On its site its free to create 30 second videos, but you need to pay $3 per video to make an lengthier slideshow. The site sells a year long subscription to users for $30. A large part of Animoto’s subscription business is composed of professional videographers and photographers who pay $250 per year to create their own branded videos that they can download, and burn to a CD (and the slideshow doesn’t bear the “Animoto” logo). Animoto’s CEO Brad Jefferson tells me that 10 percent of users, so 140,000 people, are have paid for at least one product on the site.The company is already cash-flow positive, which isn’t bad for a startup that’s less than three years old.

In terms of monetizing the API, Animoto isn’t charging any of its partners. In fact, it’s actually paying its partners in terms of affiliate fees. So if any partners lead new users to the site who end up buying a subscription, Animoto will give the partner a 40 percent cut of the first year’s consumer subscription fee or $50 of the first years pro subscription fee.

The Quickstart API seems to be the first of a few sets of APIs that will extend Animoto’s technology onto the other sites. It’s a smart move. While many photo sharing sites have the ability to make slideshows, the technology is not nearly as fun and easy to use as Animoto’s. And Animoto is undoubtedly a compelling tool for an brand marketer to use for a campaign. Frankly, the possibilities are endless because Animoto is such an easy tool to use.

Back in November of last year, the location-based social event service Hot Potato launched at our Realtime CrunchUp. Today, they’ve taken what was a solid service, and made it a lot better with a number of upgrades.

First and foremost, there is a new iPhone application that just went live in the App Store. With a completely revamped user interface, the app makes it easier than ever to find and participate in events. Perhaps more importantly, it makes it really easy to create new events — and notably, the service has the nicest third-party Foursquare integration I’ve ever seen. When you click on the button to create an event, you can still manually enter a location, but if you happen to be around the venue, you can simply pick it from Foursquare’s list of venues with the click of a button. This drastically simplifies the event creation process since the venue metadata is already there.

This new app will be crucial for the SXSW festival in Austin, Texas, which starts tomorrow. If you’ve been reading TechCrunch over the past week, you’ve undoubtedly seen that just about every location-based service has an app they’re unveiling. And another service based around planning events, Plancast, just launched their app this evening. But Hot Potato offers the best of both worlds as it allows you to both plan future events, and interact with ones currently taking place. The new app makes it very easy to chat about the event, and upload photos and videos.

And they’ve cleaned up the stream of information around these events. There is now a filter to show everyone commenting, or just your friends. There are also now number indicators to show unread items. And the check-in process has been simplified thanks to big green buttons that make it obvious.

Also new for SXSW is Twitter integration. On a case-by-case basis, Hot Potato will be pulling in tweets about certain events at SXSW, using a filter to make sure only relevant ones show up. You’ll be able to do things such as filter those tweets to show only those by people you actually follow, which will make them potentially much more meaningful to you. You can also reply to tweets thanks to integration of Twitter’s API. And you can share tweets from within the app that will show up as retweets on Twitter.

Another new features is Calendars — something which each Hot Potato user now has. Obviously, you can add the events you wish to be a part of to your calendar, but people you are friends with on the service can also add you to other events as well. The app also now features Push Notifications now (on top of revamped email notifications).

On top of the new app, Hot Potato has rolled out a completely revamped website with just about all of the same functionality of the new app (as well as the new look and feel). And at the highest level, Hot Potato finally has its own social graph, which can pull in friends from the usual suspects: Facebook, Twitter, your address book, etc.

And here’s something that should really help Hot Potato this week: each time someone checks-in to a SXSW event with Foursquare, that service will recommend they also join the event on Hot Potato. Clicking on the accompanying link provided in the Foursquare app with open the Hot Potato app and let them join the event with a click (if they have an account). As you might expect, you can also check-in to a venue on Foursquare within Hot Potato. With Foursquare likely to be one of the key apps used by conference goers, this cross promotion is simply huge.

On top of all of this, the service now has its own full API, so others can use and interact with their data.

Simply put, all these updates are full of win, and make a good app even better. And remarkably, they’ve managed to cram in all these new features while at the same time simplifying the overall experience.

Fine the new iPhone app here in the App Store. It’s a free download.

Late last year, Ustream and qik launched iPhone applications that let you stream videos from the iPhone to the web and allow others to watch them as they’re being recorded. And now there is an iPhone app called TwitCasting Live (iTunes link), which offers the same basic functionality, but is – as the name suggests – much more deeply integrated into Twitter.

The free app is essentially a live streaming app and Twitter client rolled into one. TwitCasting Live splits the iPhone screen in half, allowing you to view your Twitter timeline, update your status, access the web etc. on the bottom half, while recording (broadcasting) video on the top.

Read the rest on MobileCrunch >>

The blog Nonprofits and Web 2.0 was on hand and has posted several videos (a few of which I’ll embed below). There’s also a huge set of pictures in this Flickr album. As we noted originally, despite the funeral, IE6 is likely to live on for a few years as many sites are likely to still support it for the foreseeable future (though YouTube turns off support next week). And don’t forget all those pour souls in corporate jobs who are forced to use the browser because their IT departments won’t allow them to upgrade.

Microsoft itself is trying to get users to upgrade from IE6 (to their updated IE8), and the flowers that they sent to the funeral speak to that. The card sent with the flowers read: “Thanks for the good times, IE6. See you all @ MIX, where we’ll show a little piece of IE heaven. The Internet Explorer Team @ Microsoft“

[photos: flickr/atendesigngroup]

It’s been nearly two weeks since the Super Bowl, but the stats behind one of the world’s biggest media spectacles keep pouring in. YouTube has just written about the impact some of the Super Bowl ads have had on its site, offering rare insight into just how much attention those million-dollar advertising spots will get you.

During the days following the Super Bowl, YouTube reported an 18,000% spike in queries for “Snickers” (no doubt spurred by their ad featuring Betty White and Abe Vigoda). YouTube also says that mobile queries for Doritos rose by 5,000% (note that the Snickers stat was for YouTube’s entire property but Doritios was for mobile only  — it’s a bit strange that they aren’t giving an apples to apples comparison).

YouTube ran a week-long contest beginning on Super Bowl Sunday that invited users to choose their favorite ad using a special site called YouTube Ad Blitz, during which 2.9 million votes were cast (Doritos took the top spot).

YouTube mentions one other interesting stat: clicks on the site’s Promoted Videos, which allow users and brands to advertise their videos on the site, doubled over Super Bowl weekend.

It’s been through several owners, legal battles and even the subject of books, but Sex.com will be sold once again in an auction next month. Bids will start at $1 million.

Ownership over the Sex.com domain was the subject of a decade-long legal battle chronicled in not one, but two books. It was sold to a company called ESCOM in 2006 for a reported $14 million. It is possible that ESCOM was never able to pay off that amount because the notice (embedded below) says the sale is due to a foreclosure “for default in the payment of debt and performance of obligations owed by Escom, LLC (“Borrower”) to DOM Partners LLC (Secured Party”).

The notice also states: “To be qualified to bid at the auction, bidders must appear at the auction with a certified bank check in the amount of $1,000,000.” The type-in traffic alone might be worth that much. But the domain itself has languished. The site is a PG-13 landing page with links to a story of the day, videos, horoscopes, a shop, and a classifieds section that is still under construction. Sex.com does not even appear in the first page of results on Google for the search term “sex”.

It’s sad really, like a scorned lover being put out on the curb. According to one of the investors, there were too many parties involved who “prevented the asset from being operated properly.” It sounds like the site was bedeviled by incompetence and infighting. “I wouldn’t bet on any auction happening with this group on that date, litigated first most likely,” says the investor.

Google Voice is a great service, one of the best things Google has released in a long time. Unfortunately, most casual web users have no idea what it is. Or more specifically, what it’s purpose is. And in fact, there’s even still some confusion amongst heavy web users about whether Voice is VoIP, for example (it’s not — yet). So Google has today launched a series of videos to explain the service.

The first (embedded below) is a simple overview, “What is Google Voice.” The 11 others go into more detail about actual features such as the mobile app (as in, the one that actually works on the iPhone), how to block callers, sharing voicemails, personalized greetings, and connecting all your numbers to your one Google Voice numbers, among other things. You can find them all on this new YouTube page that Google has created (just in case you thought Microsoft were the only ones using YouTube for product promotion).

There is also a video describing voicemail transcription. My favorite part of this video is how Google skirts around how the vast majority of the voice transcriptions are in absolute gibberish. “Transcriptions aren’t perfect, but we hope they’re good enough to save you from listening to the message.” I have yet to experience that. Instead, here are some of my favorites that I’ve gotten just in the past couple of weeks:

With that fun. It’s but but. Thank you. Thanks Hello yeah, I don’t think you got the right number.

It’s important to you 8 technical alright. Call me. Troubleshooting just to okay.

Hi Angie, This is mcKayla I we met at the crash, 50 calling friends and I’d like for a check start.

Hands down, the best way to experience Google Voice is to let it take over the phone controls on your mobile device. Unfortunately, that only works on Android devices right now — and likely never will for the iPhone. Those of us with iPhones will have to settle for the web app version (which is still pretty nice).